【原神】ストーリームービー「心にとどまる余音」
Added .jpg thumbnail. Added .srt subtitles. Added .mkv package containing Topaz enhanced 4K, dual audio, and .srt subtitles.
This commit is contained in:
Yu-Hsin Sean Wang
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Früher habe ich mich mit Guizhong oft über die Kunst der Mechanik gestritten.
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00:00:09,559 --> 00:00:12,761
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Wir waren unterschiedlicher Meinungen und keine von uns gab nach.
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Ich habe einmal eine Feier veranstaltet, zu der unser gerechtester Rex Lapis eingeladen wurde,
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um die Qualität der beiden Vorrichtungen zu beurteilen.
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Rex Lapis sagte jedoch, dass Guizhongs Vorrichtung „Obscuro Vulpes“ etwas besser als meine sei.
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Es fiel mir schwer, mir das einzugestehen, aber innerlich wusste ich,
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dass Guizhong in der Kunst der Mechanik tatsächlich einen Schritt weiter war ...
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Und die Geschichte zwischen Guizhong und der Fürstin des Singens und des Streunens beginnt mit einer Glocke.
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Guizhong war der Ansicht, dass die Kunst der Mechanik die menschliche Komposition zwar nicht vollständig ersetzen könne,
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ihr Endprodukt jedoch mit einer einfachen Komposition der Menschen vergleichbar sein sollte.
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Für die Fürstin des Singens und des Streunens sei die Musik allerdings der Klang der Seele.
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Der Ausdruck der Gefühle könne nicht durch eine Vorrichtung erzeugt werden.
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Die beiden haben sich so sehr gestritten, dass ich Rex Lapis bitten musste, einzugreifen.
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Er nahm daher die Glocke an sich und benutzte sie für verschiedene Zeremonien.
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Seitdem habe ich oft gesehen, wie sie sich in den Bergen trafen
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und über Musik, Kunst der Mechanik und die irdische Welt diskutierten.
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Doch die guten Zeiten hielten nicht lange an. Später bekämpften sich die Archonten und der Krieg breitete sich auf der Guili-Ebene aus.
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Guizhong konnte die Gegner nicht besiegen und starb im Kampf.
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Als ich mit der Fürstin des Singens und des Streunens ankam, lag in den Ruinen ... nur der kalte Körper meiner alten Freundin.
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Auf Bitten der Fürstin des Singens und des Streunens
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übergab Rex Lapis ihr die Glocke der Reinigung zur Aufbewahrung.
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Auch ich folgte den Gedanken meiner alten Freundin und nahm einige Verbesserungen an ihrem „Guizhong-Geschütz“ vor, um ihr Andenken zu ehren ...
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Laternen gehen auf und unter, Menschen versammeln sich und fallen auseinander.
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Was schaust du dir an? Die Guili-Ebene?
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Ich schaue mir diese Welt an.
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Der Tod eines Menschen ist wie das Erlöschen einer Laterne, dasselbe gilt wohl auch für die Adepten.
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Vielleicht, wie der Staub, der sich nach einem Sturm wieder setzt,
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werden wir auch eines Tages in die irdische Welt zurückkehren.
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In times gone by, one quarreled oft with Guizhong concerning mechanical principles
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We each had our ideals, and neither would yield
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Under the pretext of a social gathering, one invited the impartial Rex Lapis
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To judge the quality of our creations...
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But Rex Lapis declared that Guizhong's Obscuro Vulpes Mechanism was superior, hmph...
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Though one was too proud to acknowledge it, in one's heart, one knew
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That Guizhong was indeed the superior talent in the mechanical arts...
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As for the story between Guizhong and Streetward Rambler, that begins with a certain bell
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In Guizhong's opinion, while mechanisms were no substitute for human composers
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They were yet capable of producing simple but fine melodies
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But Streetward Rambler believed music to be an expression of the soul
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An emotional enterprise that could never hope to be replicated by machinery
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They argued endlessly, until one asked Rex Lapis to intercede
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He confiscated the bell, and designated it for ceremonial use
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Thereafter, one would often find them convening in the mountains
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Discussing music, mechanics, and all the affairs of the mortal world
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But these good times were not to last. War broke out between the gods, and soon engulfed the Guili Plains
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Guizhong was overpowered by the enemy, and fell in battle
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When Streetward Rambler and I arrived at the scene at long last, all that remained among the ruins... was her lifeless body
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After this, at Streetward Rambler's request
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Rex Lapis granted her the Cleansing Bell for safekeeping
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To honor our friend's memory, one made a few finishing touches to her ballistic device...
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Many Lantern Rites have passed since then... many greetings and goodbyes
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Upon what do you gaze? The Guili Plains?
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No, it's... everything
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We think of human life as like a lantern that's lit one minute and extinguished the next, but are we adepti so different?
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Perhaps, as dust settles after a storm
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We too must one day return to the world below
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Tiempo atrás, solía discutir con Guizhong sobre fundamentos mecánicos.
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Cada cual tenía sus propios ideales, y ninguna estaba dispuesta a ceder.
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Con el pretexto de un encuentro social, invité al ecuánime Rex Lapis
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para que juzgara la calidad de nuestras creaciones...
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Pero su veredicto fue que el mecanismo Obscuro Vulpes era superior, ¡hum!
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Aunque mi orgullo me impedía admitirlo, en mis adentros siempre supe
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que Guizhong tenía más talento que yo para las artes mecánicas...
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La historia de Guizhong y Caminante Errante comenzó con una campana.
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Guizhong pensaba que un mecanismo jamás podría componer música como los humanos
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pero al menos sería capaz de crear melodías sencillas, al igual que bellas.
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Pero Caminante Errante creía que la música era la expresión del alma.
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Un cometido emocional que ninguna maquinaria podría reemplazar.
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Discutieron durante siglos, hasta que pedí a Rex Lapis que interviniera.
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Este confiscó la campana y la proclamó de uso ceremonial.
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Después de eso, se las veía a menudo juntas en la montaña
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debatiendo sobre música, mecanismos y otros menesteres del mundo mortal.
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Pero los buenos tiempos no duraron. La Guerra de los Arcontes estalló y la Llanura Guili quedó asediada.
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Guizhong, incapaz de derrotar al enemigo, falleció en combate.
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Cuando Caminante Errante y yo llegamos al lugar del desastre, lo único que logramos encontrar fue su cuerpo sin vida.
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Después de aquello, tras escuchar su petición
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Rex Lapis le entregó la Campana purificadora para que la custodiara.
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Para honrar la memoria de nuestra amiga, hice algunas mejoras en la Balista Guizhong.
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Incontables Ritos de la Linterna han pasado desde entonces, incontables encuentros y despedidas...
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¿Qué estás mirando? ¿La Llanura Guili?
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No. Estaba contemplando... todo.
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Consideramos las vidas humanas como una linterna que se apaga tan rápido como se enciende. ¿Pero acaso los Adeptus somos diferentes?
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Quizás, como el polvo que se asienta tras la tormenta
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nosotros también regresemos un día al mundo de los mortales.
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Autrefois, nous nous querellions souvent avec Guizhong au sujet des principes mécaniques.
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Nous avions chacune nos idéaux, et aucune ne cédait.
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Sous prétexte d'un rassemblement mondain, l'impartial Souverain de la Roche fut invité
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pour juger de la qualité de nos créations...
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Cependant, le Souverain de la Roche déclara que le mécanisme Obscuro Vulpes de Guizhong était supérieur, hmph...
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Même si j'étais trop fière pour le reconnaître, dans mon cœur, je savais
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que Guizhong était en effet d'un talent supérieur dans les arts mécaniques...
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Quant à l'histoire entre Guizhong et Flâne-Sentier, elle commença avec une certaine cloche...
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Selon Guizhong, même si les mécanismes ne remplaçaient pas les compositeurs humains,
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ils étaient capables de produire des mélodies certes simples, mais néanmoins raffinées.
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Flâne-Sentier, cependant, pensait que la musique était une expression de l'âme,
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une affaire émotionnelle qui ne pourrait jamais espérer être reproduite par des machines.
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Elles se disputèrent sans répit, jusqu'à ce que l'une d'elles demanda au Souverain de la Roche d'intercéder.
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Il confisqua la cloche et la désigna pour un usage cérémoniel.
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Par la suite, je les retrouvai souvent se concertant dans les montagnes,
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débattant de musique, de mécanique et de toutes les affaires du monde des mortels.
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Mais ces bons moments ne durèrent pas... La guerre éclata entre les divinités et engloutit rapidement les Plaines Guili.
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Guizhong fut dépassée par l'ennemi et tomba au combat.
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Lorsque Flâne-Sentier et moi arrivâmes enfin sur les lieux, parmi les décombres... ne restait que son corps sans vie.
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Après cela, à la demande de Flâne-Sentier,
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le Souverain de la Roche accorda à cette dernière la garde de la cloche purificatrice.
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Pour honorer la mémoire de notre amie, j'ai apporté quelques ajustements à sa baliste...
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Nombre de lanternes célestes se sont élevées depuis lors... Et salutations et au revoir ont eu lieu.
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Où portes-tu ton regard\h? Sur les Plaines Guili\h?
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Non, sur... tout.
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Nous voyons la vie humaine comme une lanterne qui s'allume une minute et s'éteint la suivante, mais sommes-nous, tout Adeptes que sommes, si différentes\h?
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00:02:43,124 --> 00:02:45,982
|
||||
Peut-être, alors que la poussière se dépose après une tempête,
|
||||
|
||||
28
|
||||
00:02:46,471 --> 00:02:50,803
|
||||
nous aussi devrons un jour retourner dans le monde d'en bas.
|
||||
|
||||
@@ -0,0 +1,112 @@
|
||||
1
|
||||
00:00:03,655 --> 00:00:09,493
|
||||
Di masa yang telah lama berlalu, diri ini pernah berdebat dengan Guizhong mengenai prinsip-prinsip mekanika.
|
||||
|
||||
2
|
||||
00:00:09,559 --> 00:00:12,761
|
||||
Kami mempunyai idealisme masing-masing, dan tidak ada yang ingin mengalah.
|
||||
|
||||
3
|
||||
00:00:13,325 --> 00:00:18,156
|
||||
Dengan dalih silaturahmi, diri ini mengundang Rex Lapis yang maha adil,
|
||||
|
||||
4
|
||||
00:00:18,156 --> 00:00:20,845
|
||||
untuk menilai kualitas dari karya kami ....
|
||||
|
||||
5
|
||||
00:00:21,568 --> 00:00:27,943
|
||||
Namun Rex Lapis menilai bahwa Mekanisme Obscuro Vulpes buatan Guizhong lebih bagus. Heh.
|
||||
|
||||
6
|
||||
00:00:28,912 --> 00:00:33,503
|
||||
Meskipun diri ini tidak rela mengakui, tapi di dalam hati, diriku sudah tahu,
|
||||
|
||||
7
|
||||
00:00:33,503 --> 00:00:37,994
|
||||
bahwa Guizhong memang lebih berbakat dalam bidang mekanika ....
|
||||
|
||||
8
|
||||
00:00:38,621 --> 00:00:44,720
|
||||
Sedangkan cerita tentang Guizhong dan Streetward Rambler, itu semua bermula dari sebuah lonceng.
|
||||
|
||||
9
|
||||
00:00:45,443 --> 00:00:51,187
|
||||
Menurut Guizhong, meskipun mesin tidak mampu menggantikan peran manusia dalam seni musik,
|
||||
|
||||
10
|
||||
00:00:51,187 --> 00:00:55,420
|
||||
tetapi tetap dapat menghasilkan melodi sederhana yang indah.
|
||||
|
||||
11
|
||||
00:00:56,071 --> 00:01:00,853
|
||||
Namun Streetward Rambler percaya bahwa musik adalah ekspresi dari jiwa,
|
||||
|
||||
12
|
||||
00:01:01,131 --> 00:01:06,328
|
||||
suatu pagelaran perasaan yang tak akan pernah bisa tergantikan oleh mesin.
|
||||
|
||||
13
|
||||
00:01:07,184 --> 00:01:11,968
|
||||
Perdebatan mereka tidak ada ujungnya, sampai diri ini meminta Rex Lapis untuk menengahi.
|
||||
|
||||
14
|
||||
00:01:11,968 --> 00:01:16,143
|
||||
Dia menyita lonceng tersebut dan menetapkannya untuk kepentingan upacara saja.
|
||||
|
||||
15
|
||||
00:01:17,012 --> 00:01:21,540
|
||||
Setelah itu, diri ini sering melihat mereka berkumpul di pegunungan,
|
||||
|
||||
16
|
||||
00:01:21,637 --> 00:01:26,771
|
||||
membicarakan musik, mekanika, dan segala urusan dunia fana.
|
||||
|
||||
17
|
||||
00:01:29,584 --> 00:01:37,536
|
||||
Sayangnya masa-masa indah ini tidak berlangsung lama. Peperangan terpecah di antara para dewa, dan Guili Plains pun tidak luput dari kobaran apinya.
|
||||
|
||||
18
|
||||
00:01:37,828 --> 00:01:42,259
|
||||
Guizhong dikalahkan oleh musuh dan gugur dalam peperangan.
|
||||
|
||||
19
|
||||
00:01:42,403 --> 00:01:50,865
|
||||
Ketika diri ini dan Streetward Rambler tiba di lokasi, yang tersisa di antara reruntuhan ... hanyalah tubuhnya yang sudah tidak bernyawa.
|
||||
|
||||
20
|
||||
00:01:51,090 --> 00:01:54,844
|
||||
Setelah itu, atas permintaan Streetward Rambler,
|
||||
|
||||
21
|
||||
00:01:54,906 --> 00:01:59,136
|
||||
Rex Lapis mengembalikan Lonceng Penyuci untuk disimpan dan dijaga.
|
||||
|
||||
22
|
||||
00:02:00,815 --> 00:02:07,435
|
||||
Sebagai penghormatan bagi sahabat yang telah berpulang, diri ini menambahkan sedikit sentuhan akhir kepada alat penembak buatannya ....
|
||||
|
||||
23
|
||||
00:02:09,800 --> 00:02:15,550
|
||||
Banyak Lantern Rite telah datang dan berlalu setelah peristiwa itu .... begitu banyak perjumpaan dan perpisahan.
|
||||
|
||||
24
|
||||
00:02:18,191 --> 00:02:22,577
|
||||
Ke mana matamu memandang? Guili Plains?
|
||||
|
||||
25
|
||||
00:02:23,628 --> 00:02:27,847
|
||||
Bukan, melainkan ... semuanya.
|
||||
|
||||
26
|
||||
00:02:32,974 --> 00:02:42,243
|
||||
Kita melihat hidup manusia seperti cahaya lentera yang bisa menyala dan padam dalam sekejap, tapi apakah Adeptus berbeda?
|
||||
|
||||
27
|
||||
00:02:43,124 --> 00:02:45,982
|
||||
Mungkin, suatu hari nanti ketika debu yang bertebaran di tengah badai telah mereda,
|
||||
|
||||
28
|
||||
00:02:46,471 --> 00:02:50,803
|
||||
kita pun harus melanjutkan perjalanan ke alam berikutnya.
|
||||
|
||||
@@ -0,0 +1,112 @@
|
||||
1
|
||||
00:00:03,655 --> 00:00:09,493
|
||||
Ai tempi che furono, costei litigava spesso con Guizhong riguardo ai principi della meccanica.
|
||||
|
||||
2
|
||||
00:00:09,559 --> 00:00:12,761
|
||||
Avevamo ideali ben precisi e nessuna delle due intendeva cedere.
|
||||
|
||||
3
|
||||
00:00:13,325 --> 00:00:18,156
|
||||
Col pretesto di un ritrovo sociale, costei invitò l'imparziale Rex Lapis
|
||||
|
||||
4
|
||||
00:00:18,156 --> 00:00:20,845
|
||||
a giudicare la qualità delle nostre creazioni...
|
||||
|
||||
5
|
||||
00:00:21,568 --> 00:00:27,943
|
||||
Ma Rex Lapis giudicò come superiore il meccanismo Obscuro vulpes di Guizhong...
|
||||
|
||||
6
|
||||
00:00:28,912 --> 00:00:33,503
|
||||
Costei era troppo orgogliosa per accettarlo,
|
||||
|
||||
7
|
||||
00:00:33,503 --> 00:00:37,994
|
||||
ma in cuor suo sapeva che il talento di Guizhong nelle arti meccaniche era superiore...
|
||||
|
||||
8
|
||||
00:00:38,621 --> 00:00:44,720
|
||||
La storia tra Guizhong e Raminga dei sentieri, invece, nasce con una certa campana.
|
||||
|
||||
9
|
||||
00:00:45,443 --> 00:00:51,187
|
||||
Secondo Guizhong, anche se i meccanismi non potevano sostituire i compositori umani,
|
||||
|
||||
10
|
||||
00:00:51,187 --> 00:00:55,420
|
||||
erano in grado di produrre melodie semplici ma piacevoli.
|
||||
|
||||
11
|
||||
00:00:56,071 --> 00:01:00,853
|
||||
Ma Raminga dei sentieri riteneva che la musica fosse un'espressione dell'anima,
|
||||
|
||||
12
|
||||
00:01:01,131 --> 00:01:06,328
|
||||
un atto d'emozione non replicabile da un macchinario.
|
||||
|
||||
13
|
||||
00:01:07,184 --> 00:01:11,968
|
||||
Discussero e discussero, fino a chiedere il parere di Rex Lapis.
|
||||
|
||||
14
|
||||
00:01:11,968 --> 00:01:16,143
|
||||
Egli confiscò la campana e la adibì a uso cerimoniale.
|
||||
|
||||
15
|
||||
00:01:17,012 --> 00:01:21,540
|
||||
Da quel giorno, diventò possibile trovarle in montagna
|
||||
|
||||
16
|
||||
00:01:21,637 --> 00:01:26,771
|
||||
a discutere di musica, meccanica, e di ogni questione concernente il mondo mortale.
|
||||
|
||||
17
|
||||
00:01:29,584 --> 00:01:37,536
|
||||
Ma quei giorni felici non sarebbero durati. Tra gli dèi scoppiò una guerra che pervase le Pianure di Guili.
|
||||
|
||||
18
|
||||
00:01:37,828 --> 00:01:42,259
|
||||
Il nemico era potente, e Guizhong cadde in battaglia.
|
||||
|
||||
19
|
||||
00:01:42,403 --> 00:01:50,865
|
||||
Quando costei e Raminga dei sentieri arrivarono finalmente sulla scena, tra le rovine non restava che il suo corpo senza vita...
|
||||
|
||||
20
|
||||
00:01:51,090 --> 00:01:54,844
|
||||
In seguito, Raminga dei sentieri chiese a Rex Lapis
|
||||
|
||||
21
|
||||
00:01:54,906 --> 00:01:59,136
|
||||
di affidarle la Campanella purificatrice.
|
||||
|
||||
22
|
||||
00:02:00,815 --> 00:02:07,435
|
||||
Per commemorare la nostra amica, costei apportò delle rifiniture al suo dispositivo balistico...
|
||||
|
||||
23
|
||||
00:02:09,800 --> 00:02:15,550
|
||||
Da allora sono passati molti Festival delle lanterne... Molti saluti e molti addii.
|
||||
|
||||
24
|
||||
00:02:18,191 --> 00:02:22,577
|
||||
Su cosa si posa il tuo sguardo? Sulle Pianure di Guili?
|
||||
|
||||
25
|
||||
00:02:23,628 --> 00:02:27,847
|
||||
No... Sto guardando... tutto.
|
||||
|
||||
26
|
||||
00:02:32,974 --> 00:02:42,243
|
||||
Pensiamo alla vita umana come una lanterna che un momento è accesa, e quello dopo è spenta, ma è così diverso per noi Adepti?
|
||||
|
||||
27
|
||||
00:02:43,124 --> 00:02:45,982
|
||||
Forse, come la polvere si posa al suolo dopo la tempesta,
|
||||
|
||||
28
|
||||
00:02:46,471 --> 00:02:50,803
|
||||
anche noi dovremo un giorno tornare al mondo sottostante.
|
||||
|
||||
@@ -0,0 +1,112 @@
|
||||
1
|
||||
00:00:03,655 --> 00:00:09,493
|
||||
Em tempos passados, brigava frequentemente com Guizhong a respeito de princípios mecânicos,
|
||||
|
||||
2
|
||||
00:00:09,559 --> 00:00:12,761
|
||||
ambos tínhamos nossos ideais, e ninguém estava disposto a ceder.
|
||||
|
||||
3
|
||||
00:00:13,325 --> 00:00:18,156
|
||||
Sob o pretexto de um encontro social, convidei o imparcial Rex Lapis,
|
||||
|
||||
4
|
||||
00:00:18,156 --> 00:00:20,845
|
||||
para julgar a qualidade de nossas criações.
|
||||
|
||||
5
|
||||
00:00:21,568 --> 00:00:27,943
|
||||
Mas Rex Lapis declarou que o Mecanismo Obscuro Vulpes da Guizhong era superior... Hunf.
|
||||
|
||||
6
|
||||
00:00:28,912 --> 00:00:33,503
|
||||
Embora estivesse orgulhosa demais para aceitar, bem lá no fundo de meu coração, eu sabia
|
||||
|
||||
7
|
||||
00:00:33,503 --> 00:00:37,994
|
||||
que a Guizhong tinha de fato um talento superior nas artes mecânicas...
|
||||
|
||||
8
|
||||
00:00:38,621 --> 00:00:44,720
|
||||
Quanto a história entre Guizhong e a Adeptus Corista, tudo começou com um certo sino.
|
||||
|
||||
9
|
||||
00:00:45,443 --> 00:00:51,187
|
||||
Na opinião da Guizhong, embora mecanismos não possam substituir compositores humanos,
|
||||
|
||||
10
|
||||
00:00:51,187 --> 00:00:55,420
|
||||
ainda assim, eles são capazes de produzir melodias simples, mas belas.
|
||||
|
||||
11
|
||||
00:00:56,071 --> 00:01:00,853
|
||||
Mas a Adeptus Corista acreditava que a música era uma expressão da alma,
|
||||
|
||||
12
|
||||
00:01:01,131 --> 00:01:06,328
|
||||
um empreendimento emocional que nunca poderia ser replicado por máquinas.
|
||||
|
||||
13
|
||||
00:01:07,184 --> 00:01:11,968
|
||||
Elas discutiram sem parar, até eu pedir a Rex Lapis para interceder.
|
||||
|
||||
14
|
||||
00:01:11,968 --> 00:01:16,143
|
||||
Ele confiscou o sino, e o designou para uso cerimonial.
|
||||
|
||||
15
|
||||
00:01:17,012 --> 00:01:21,540
|
||||
A partir de então, se tornou comum encontrá-las reunidas nas montanhas,
|
||||
|
||||
16
|
||||
00:01:21,637 --> 00:01:26,771
|
||||
discutindo sobre músicas, mecanismos, e todos os assuntos do mundo mortal.
|
||||
|
||||
17
|
||||
00:01:29,584 --> 00:01:37,536
|
||||
Mas estes bons tempos não duraram. A guerra estourou entre os deuses e logo engolfou as Planícies de Guili.
|
||||
|
||||
18
|
||||
00:01:37,828 --> 00:01:42,259
|
||||
Guizhong foi subjugada pelo inimigo, e morreu em batalha.
|
||||
|
||||
19
|
||||
00:01:42,403 --> 00:01:50,865
|
||||
Quando a Adeptus Corista e eu finalmente chegamos ao local, tudo o que restava entre as ruínas... era o seu corpo sem vida.
|
||||
|
||||
20
|
||||
00:01:51,090 --> 00:01:54,844
|
||||
Depois disto, a pedido da Adeptus Corista,
|
||||
|
||||
21
|
||||
00:01:54,906 --> 00:01:59,136
|
||||
Rex Lapis concedeu a ela o Sino Purificador para que ela o protegesse.
|
||||
|
||||
22
|
||||
00:02:00,815 --> 00:02:07,435
|
||||
Para homenagear a memória de nossa amiga, dei alguns toques finais em seu dispositivo de balista...
|
||||
|
||||
23
|
||||
00:02:09,800 --> 00:02:15,550
|
||||
Muitos Rituais de Lanternas se passaram desde então... muitas saudações e despedidas.
|
||||
|
||||
24
|
||||
00:02:18,191 --> 00:02:22,577
|
||||
Sobre o que você olha? As Planícies de Guili?
|
||||
|
||||
25
|
||||
00:02:23,628 --> 00:02:27,847
|
||||
Não, tudo...
|
||||
|
||||
26
|
||||
00:02:32,974 --> 00:02:42,243
|
||||
Pensamos na vida humana como uma lanterna que está acesa em um minuto e apagada no outro, mas nós, Adepti, somos realmente diferentes?
|
||||
|
||||
27
|
||||
00:02:43,124 --> 00:02:45,982
|
||||
Talvez, como a poeira que baixa depois da tempestade,
|
||||
|
||||
28
|
||||
00:02:46,471 --> 00:02:50,803
|
||||
um dia, nós também teremos que retornar ao mundo abaixo.
|
||||
|
||||
@@ -0,0 +1,112 @@
|
||||
1
|
||||
00:00:03,655 --> 00:00:09,493
|
||||
В былые времена мы с, Гуй Чжун часто спорили о принципах механики.
|
||||
|
||||
2
|
||||
00:00:09,559 --> 00:00:12,761
|
||||
У каждой из нас были свои идеалы, и ни одна не хотела уступать.
|
||||
|
||||
3
|
||||
00:00:13,325 --> 00:00:18,156
|
||||
Однажды под предлогом встречи, мы пригласили беспристрастного Властелина Камня,
|
||||
|
||||
4
|
||||
00:00:18,156 --> 00:00:20,845
|
||||
чтобы он оценил наши творения...
|
||||
|
||||
5
|
||||
00:00:21,568 --> 00:00:27,943
|
||||
Но Властелин Камня отметил, что механизм «Обскуро Вульпес» Гуй Чжун превосходит мой, хм...
|
||||
|
||||
6
|
||||
00:00:28,912 --> 00:00:33,503
|
||||
Хотя я была слишком гордой, чтобы признать это, в глубине души я знала,
|
||||
|
||||
7
|
||||
00:00:33,503 --> 00:00:37,994
|
||||
что Гуй Чжун действительно превосходит меня в механике...
|
||||
|
||||
8
|
||||
00:00:38,621 --> 00:00:44,720
|
||||
А история о Гуй Чжун и Владыкой Песен и Скитаний начинается с колокольчика.
|
||||
|
||||
9
|
||||
00:00:45,443 --> 00:00:51,187
|
||||
По мнению Гуй Чжун, несмотря на то, что механизмы не могут заменить композиторов,
|
||||
|
||||
10
|
||||
00:00:51,187 --> 00:00:55,420
|
||||
они всё же способны создавать простые, но прекрасные мелодии.
|
||||
|
||||
11
|
||||
00:00:56,071 --> 00:01:00,853
|
||||
Но Владыка Песен и Скитаний считала, что музыка - это выражение души,
|
||||
|
||||
12
|
||||
00:01:01,131 --> 00:01:06,328
|
||||
эмоциональное творение, которое никогда не может быть воссоздано механизмами.
|
||||
|
||||
13
|
||||
00:01:07,184 --> 00:01:11,968
|
||||
Они спорили без конца, пока однажды я не попросила Властелина Камня вмешаться.
|
||||
|
||||
14
|
||||
00:01:11,968 --> 00:01:16,143
|
||||
Он забрал колокольчик и определил его для церемониального применения.
|
||||
|
||||
15
|
||||
00:01:17,012 --> 00:01:21,540
|
||||
После этого они часто встречались в горах,
|
||||
|
||||
16
|
||||
00:01:21,637 --> 00:01:26,771
|
||||
обсуждали музыку, механику и прочие дела мира смертных.
|
||||
|
||||
17
|
||||
00:01:29,584 --> 00:01:37,536
|
||||
Но этим прекрасным временам не суждено было продлиться долго. Между Архонтами вспыхнула война, которая вскоре охватила долину Гуйли.
|
||||
|
||||
18
|
||||
00:01:37,828 --> 00:01:42,259
|
||||
Гуй Чжун была сражена врагом и погибла в бою.
|
||||
|
||||
19
|
||||
00:01:42,403 --> 00:01:50,865
|
||||
Когда мы с Владыкой Песен и Скитаний прибыли на место, среди руин мы нашли её безжизненное тело.
|
||||
|
||||
20
|
||||
00:01:51,090 --> 00:01:54,844
|
||||
После этого, по просьбе Владыки Песен и Скитаний,
|
||||
|
||||
21
|
||||
00:01:54,906 --> 00:01:59,136
|
||||
Властелин Камня передал ей на хранение Колокольчик очищения.
|
||||
|
||||
22
|
||||
00:02:00,815 --> 00:02:07,435
|
||||
Чтобы почтить память нашей подруги, я внесла несколько завершающих штрихов в её баллистическое устройство...
|
||||
|
||||
23
|
||||
00:02:09,800 --> 00:02:15,550
|
||||
С тех пор было запущено множество небесных фонарей... минуло множество приветствий и прощаний.
|
||||
|
||||
24
|
||||
00:02:18,191 --> 00:02:22,577
|
||||
Куда ты смотришь? На долину Гуйли?
|
||||
|
||||
25
|
||||
00:02:23,628 --> 00:02:27,847
|
||||
Нет, на... всё.
|
||||
|
||||
26
|
||||
00:02:32,974 --> 00:02:42,243
|
||||
Мы думаем о человеческой жизни как о фонаре, который зажигается и тут же гаснет, но так ли уж мы, Адепты, отличаемся от них?
|
||||
|
||||
27
|
||||
00:02:43,124 --> 00:02:45,982
|
||||
Возможно, подобно тому, как пыль оседает после бури,
|
||||
|
||||
28
|
||||
00:02:46,471 --> 00:02:50,803
|
||||
мы тоже должны однажды вернуться в мир смертных.
|
||||
|
||||
@@ -0,0 +1,112 @@
|
||||
1
|
||||
00:00:03,655 --> 00:00:09,493
|
||||
ครั้นอดีต ข้ามักโต้เถียงเรื่องกลไกกับ Guizhong อยู่เสมอ
|
||||
|
||||
2
|
||||
00:00:09,559 --> 00:00:12,761
|
||||
เราต่างมีความเห็นของตัวเอง และไม่มีใครยอมใคร
|
||||
|
||||
3
|
||||
00:00:13,325 --> 00:00:18,156
|
||||
ครั้งหนึ่ง ข้าเคยใช้งานเลี้ยงสังสรรค์เป็นเหตุผลบังหน้า ในการเชิญราชาแห่งหิน ผู้เป็นกลางที่สุด
|
||||
|
||||
4
|
||||
00:00:18,156 --> 00:00:20,845
|
||||
มาตัดสินกลไกของเราทั้งสอง...
|
||||
|
||||
5
|
||||
00:00:21,568 --> 00:00:27,943
|
||||
แต่ราชาแห่งหินกลับบอกว่า "กลไกจิ้งจอกพรางตา" ของ Guizhong นั้นเหนือกว่า ฮึ...
|
||||
|
||||
6
|
||||
00:00:28,912 --> 00:00:33,503
|
||||
แม้ว่ายากที่จะยอมรับ แต่ข้าก็รู้ดีอยู่แก่ใจ
|
||||
|
||||
7
|
||||
00:00:33,503 --> 00:00:37,994
|
||||
ว่ากลไกของ Guizhong นั้นเหนือชั้นกว่าข้ามากจริง ๆ...
|
||||
|
||||
8
|
||||
00:00:38,621 --> 00:00:44,720
|
||||
สำหรับเรื่องราวของ Guizhong และจ้าวขับขานล่องนครานั้น คงต้องเริ่มเล่าตั้งแต่เรื่องของกระดิ่งอันหนึ่ง
|
||||
|
||||
9
|
||||
00:00:45,443 --> 00:00:51,187
|
||||
Guizhong เชื่อว่า แม้กลไกจะทดแทนดนตรีที่มนุษย์สร้างอย่างสมบูรณ์มิได้
|
||||
|
||||
10
|
||||
00:00:51,187 --> 00:00:55,420
|
||||
ทว่าก็เพียงพอจะสร้างสรรค์ทำนองเรียบง่ายขึ้นได้
|
||||
|
||||
11
|
||||
00:00:56,071 --> 00:01:00,853
|
||||
แต่จ้าวขับขานล่องนคราเชื่อว่าดนตรีคือเสียงจากจิตวิญญาณ
|
||||
|
||||
12
|
||||
00:01:01,131 --> 00:01:06,328
|
||||
เป็นสิ่งที่ออกมาจากความรู้สึก ซึ่งไม่อาจสร้างได้จากกลไก
|
||||
|
||||
13
|
||||
00:01:07,184 --> 00:01:11,968
|
||||
ทั้งสองโต้เถียงไม่จบไม่สิ้น ข้าจึงต้องขอให้ราชาแห่งหินออกหน้าแทน
|
||||
|
||||
14
|
||||
00:01:11,968 --> 00:01:16,143
|
||||
ท่านยึดกระดิ่งและนำไปใช้ประกอบพิธีต่าง ๆ นานา
|
||||
|
||||
15
|
||||
00:01:17,012 --> 00:01:21,540
|
||||
ตั้งแต่นั้นมา ข้าก็เห็นพวกเขารวมตัวกันที่ภูเขาบ่อยครั้ง
|
||||
|
||||
16
|
||||
00:01:21,637 --> 00:01:26,771
|
||||
เพื่อพูดคุยเรื่องดนตรี กลไก และเรื่องต่าง ๆ ในโลกหล้า
|
||||
|
||||
17
|
||||
00:01:29,584 --> 00:01:37,536
|
||||
แต่ช่วงเวลาดี ๆ มักจะคงอยู่ไม่นาน ต่อมา สงครามเทพอสูรได้เริ่มขึ้น Guili Plain ลุกท่วมด้วยเปลวเพลิง
|
||||
|
||||
18
|
||||
00:01:37,828 --> 00:01:42,259
|
||||
Guizhong พ่ายแพ้แก่ข้าศึก และสิ้นใจลงในสมรภูมิ
|
||||
|
||||
19
|
||||
00:01:42,403 --> 00:01:50,865
|
||||
กระทั่งข้าและจ้าวขับขานไปถึง กลางซากปรักหักพังนั้น... เหลือเพียงร่างไร้วิญญาณของสหายเก่า
|
||||
|
||||
20
|
||||
00:01:51,090 --> 00:01:54,844
|
||||
ตั้งแต่นั้นมา ด้วยคำร้องขอของจ้าวขับขาน
|
||||
|
||||
21
|
||||
00:01:54,906 --> 00:01:59,136
|
||||
ราชาแห่งหินจึงได้มอบ "Cleansing Bell" ให้เธอเก็บรักษาไว้
|
||||
|
||||
22
|
||||
00:02:00,815 --> 00:02:07,435
|
||||
ข้าเองก็ทำตามความปรารถนาของสหายเก่า จึงได้ปรับปรุง "Guizhong Ballista" ของเธอเล็กน้อย เพื่อเป็นการระลึกถึง...
|
||||
|
||||
23
|
||||
00:02:09,800 --> 00:02:15,550
|
||||
โคม Xiao ลอยขึ้นและร่วงลงครั้งแล้วครั้งเล่า ผู้คนพานพบและลาจาก
|
||||
|
||||
24
|
||||
00:02:18,191 --> 00:02:22,577
|
||||
กำลังมองอะไรอยู่? Guili Plain งั้นหรือ?
|
||||
|
||||
25
|
||||
00:02:23,628 --> 00:02:27,847
|
||||
ข้ากำลังมองทิวทัศน์แห่งนี้
|
||||
|
||||
26
|
||||
00:02:32,974 --> 00:02:42,243
|
||||
ความตายของมนุษย์เปรียบดั่งโคมที่มอดดับ เฉกเช่นเดียวกับเซียนเทพ
|
||||
|
||||
27
|
||||
00:02:43,124 --> 00:02:45,982
|
||||
บางทีสักวันหนึ่ง เราอาจจะกลายเป็นฝุ่นธุลี
|
||||
|
||||
28
|
||||
00:02:46,471 --> 00:02:50,803
|
||||
และหวนคืนสู่ผืนดินอีกครา
|
||||
|
||||
@@ -0,0 +1,112 @@
|
||||
1
|
||||
00:00:03,655 --> 00:00:09,493
|
||||
Eskiden, Guizhong'la mekanik prensipleri hakkında sık sık münakaşa ederdik.
|
||||
|
||||
2
|
||||
00:00:09,559 --> 00:00:12,761
|
||||
İkimizin de idealleri vardı ve asla geri adım atmazdık.
|
||||
|
||||
3
|
||||
00:00:13,325 --> 00:00:18,156
|
||||
Bir toplanma kisvesi altında, Rex Lapis'i çağırdım
|
||||
|
||||
4
|
||||
00:00:18,156 --> 00:00:20,845
|
||||
ve tarafsızca çıkardığımız işlerin kalitesi hakkında hakemlik yapmasını istedi...
|
||||
|
||||
5
|
||||
00:00:21,568 --> 00:00:27,943
|
||||
Fakat Rex Lapis, Guizhong'un Kara Tilki Mekanizmasının daha üstün olduğunu ifade etti. Hıh...
|
||||
|
||||
6
|
||||
00:00:28,912 --> 00:00:33,503
|
||||
Gururum bunu itiraf etmeme izin vermese dahi,
|
||||
|
||||
7
|
||||
00:00:33,503 --> 00:00:37,994
|
||||
Guizhong'un gerçekten de mekanik sanatlarda daha üstün olduğunu biliyordum...
|
||||
|
||||
8
|
||||
00:00:38,621 --> 00:00:44,720
|
||||
Guizhong ve Sokak Gezgini'nin hikayesine gelince, her şey bir çan ile başladı.
|
||||
|
||||
9
|
||||
00:00:45,443 --> 00:00:51,187
|
||||
Guizhong'a göre mekanizmalar insan bestecilerin yerini tutamazdı
|
||||
|
||||
10
|
||||
00:00:51,187 --> 00:00:55,420
|
||||
fakat basit ve incelikli melodiler üretebilirlerdi.
|
||||
|
||||
11
|
||||
00:00:56,071 --> 00:01:00,853
|
||||
Fakat Sokak Gezgini, müziğin, ruhun bir ifadesi olduğuna
|
||||
|
||||
12
|
||||
00:01:01,131 --> 00:01:06,328
|
||||
ve makinalar tarafından taklit edilemeyecek kadar duygusal bir konu olduğuna inanırdı.
|
||||
|
||||
13
|
||||
00:01:07,184 --> 00:01:11,968
|
||||
Durmadan süren tartışmalarına bir gün Rex Lapis müdahale etti.
|
||||
|
||||
14
|
||||
00:01:11,968 --> 00:01:16,143
|
||||
Çana el koydu ve sadece törenlerde kullanılması için ayırdı.
|
||||
|
||||
15
|
||||
00:01:17,012 --> 00:01:21,540
|
||||
Bundan sonra onların sık sık dağlarda bir araya gelip
|
||||
|
||||
16
|
||||
00:01:21,637 --> 00:01:26,771
|
||||
müzik, mekanik ve ölümlülerin dünyası hakkında konuştuklarını görürdüm.
|
||||
|
||||
17
|
||||
00:01:29,584 --> 00:01:37,536
|
||||
Fakat o güzel günler uzun sürmedi. Tanrılar arasında savaş başladı ve kısa sürede Guili Ovası'nı ateş aldı.
|
||||
|
||||
18
|
||||
00:01:37,828 --> 00:01:42,259
|
||||
Guizhong düşman tarafından alt edildi ve savaşta düştü.
|
||||
|
||||
19
|
||||
00:01:42,403 --> 00:01:50,865
|
||||
Sokak Gezgini'yle birlikte yanına vardığımızda harabeler arasında... Yalnızca onun hareketsiz bedenini bulabildik.
|
||||
|
||||
20
|
||||
00:01:51,090 --> 00:01:54,844
|
||||
Bu olaydan sonra Sokak Gezgini'nin talebi üzerine
|
||||
|
||||
21
|
||||
00:01:54,906 --> 00:01:59,136
|
||||
Rex Lapis ona saklaması için Arınma Çanını verdi.
|
||||
|
||||
22
|
||||
00:02:00,815 --> 00:02:07,435
|
||||
Arkadaşımızın anısına onun balistik cihazına son dokunuşları yaptım...
|
||||
|
||||
23
|
||||
00:02:09,800 --> 00:02:15,550
|
||||
O günden bu yana kaç Fener Şenliği oldu... Kimler geldi, kimler geçti.
|
||||
|
||||
24
|
||||
00:02:18,191 --> 00:02:22,577
|
||||
Neye bakıyorsun? Guili Ovası'na mı?
|
||||
|
||||
25
|
||||
00:02:23,628 --> 00:02:27,847
|
||||
Hayır... Her şeye.
|
||||
|
||||
26
|
||||
00:02:32,974 --> 00:02:42,243
|
||||
Bizler insan hayatını bir yanıp bir sönen fenerlere benzetiriz. Fakat biz Adeptuslar için durum farklı mı?
|
||||
|
||||
27
|
||||
00:02:43,124 --> 00:02:45,982
|
||||
Belki de fırtına sakinleşip, ortalık durulduğunda
|
||||
|
||||
28
|
||||
00:02:46,471 --> 00:02:50,803
|
||||
bizim de diğer dünyaya göçme vaktimiz gelir.
|
||||
|
||||
@@ -0,0 +1,112 @@
|
||||
1
|
||||
00:00:03,655 --> 00:00:09,493
|
||||
Thuở xưa, bổn tiên thường tranh luận về cơ quan thuật với Guizhong
|
||||
|
||||
2
|
||||
00:00:09,559 --> 00:00:12,761
|
||||
Bọn ta mỗi người một ý, không ai nhường ai
|
||||
|
||||
3
|
||||
00:00:13,325 --> 00:00:18,156
|
||||
Bổn tiên thường lấy lý do tụ hội, để mời người công bằng nhất là Nham Vương Đế Quân
|
||||
|
||||
4
|
||||
00:00:18,156 --> 00:00:20,845
|
||||
Giúp phân định cao thấp cho hai loại cơ quan...
|
||||
|
||||
5
|
||||
00:00:21,568 --> 00:00:27,943
|
||||
Nhưng Đế Quân lại nói rằng, cơ quan của Guizhong có phần nhỉnh hơn ta một chút, hừ...
|
||||
|
||||
6
|
||||
00:00:28,912 --> 00:00:33,503
|
||||
Tuy khó mà thừa nhận, nhưng trong lòng bổn tiên hiểu rõ
|
||||
|
||||
7
|
||||
00:00:33,503 --> 00:00:37,994
|
||||
Về mặt cơ quan thuật thì Guizhong cao hơn ta một bậc...
|
||||
|
||||
8
|
||||
00:00:38,621 --> 00:00:44,720
|
||||
Còn về câu chuyện giữa Guizhong và Ca Trần Lãng Thị Chân Quân, thì phải bắt đầu từ một chiếc chuông
|
||||
|
||||
9
|
||||
00:00:45,443 --> 00:00:51,187
|
||||
Guizhong cho rằng, tuy cơ quan thuật không thể thay thế hoàn toàn con người để phổ nhạc
|
||||
|
||||
10
|
||||
00:00:51,187 --> 00:00:55,420
|
||||
Nhưng thành phẩm của nó có thể sánh bì với những sáng tác đơn giản
|
||||
|
||||
11
|
||||
00:00:56,071 --> 00:01:00,853
|
||||
Ca Trần Lãng Thị thì cho rằng, âm nhạc là tiếng vang của linh hồn
|
||||
|
||||
12
|
||||
00:01:01,131 --> 00:01:06,328
|
||||
Là thứ được bắt nguồn từ cảm xúc, tuyệt đối không thể tạo ra từ cơ quan
|
||||
|
||||
13
|
||||
00:01:07,184 --> 00:01:11,968
|
||||
Hai người tranh chấp không ngừng, ta chỉ đành mời Đế Quân ra mặt
|
||||
|
||||
14
|
||||
00:01:11,968 --> 00:01:16,143
|
||||
Ngài đã tịch thu chiếc chuông, để dành dùng cho việc tổ chức các mục nghi lễ
|
||||
|
||||
15
|
||||
00:01:17,012 --> 00:01:21,540
|
||||
Từ đó về sau, ta thấy họ thường tụ họp trong núi
|
||||
|
||||
16
|
||||
00:01:21,637 --> 00:01:26,771
|
||||
Thảo luận về âm nhạc, về cơ quan và về nhiều thứ trong nhân gian
|
||||
|
||||
17
|
||||
00:01:29,584 --> 00:01:37,536
|
||||
Nhưng khoảng thời gian tươi đẹp đó chẳng được bao lâu. Sau đó, Ma Thần giao chiến, Quy Li Nguyên bao trùm trong lửa trận
|
||||
|
||||
18
|
||||
00:01:37,828 --> 00:01:42,259
|
||||
Guizhong không địch lại nổi, nên đã ra đi trong chiến trận
|
||||
|
||||
19
|
||||
00:01:42,403 --> 00:01:50,865
|
||||
Đến khi bổn tiên và Ca Trần chạy đến, giữa đống đổ nát... chỉ còn lại di hài của cố hữu
|
||||
|
||||
20
|
||||
00:01:51,090 --> 00:01:54,844
|
||||
Sau chuyện đó, thể theo mong muốn của Ca Trần Lãng Thị
|
||||
|
||||
21
|
||||
00:01:54,906 --> 00:01:59,136
|
||||
Nham Vương Đế Quân đã đưa lại Chuông Tẩy Trần cho cô ấy bảo quản
|
||||
|
||||
22
|
||||
00:02:00,815 --> 00:02:07,435
|
||||
Bổn tiên cũng theo ý nguyện của người bạn quá cố, mà đã cải tiến đôi chút "Máy Guizhong" của cô ấy để tưởng nhớ...
|
||||
|
||||
23
|
||||
00:02:09,800 --> 00:02:15,550
|
||||
Qua bao mùa Đèn Tiêu, hợp rồi lại tan
|
||||
|
||||
24
|
||||
00:02:18,191 --> 00:02:22,577
|
||||
Đang nhìn gì vậy? Quy Li Nguyên sao?
|
||||
|
||||
25
|
||||
00:02:23,628 --> 00:02:27,847
|
||||
Tôi đang nhìn cảnh non nước này
|
||||
|
||||
26
|
||||
00:02:32,974 --> 00:02:42,243
|
||||
Người chết đi như ngọn đèn vụt tắt, tiên nhân cũng như vậy
|
||||
|
||||
27
|
||||
00:02:43,124 --> 00:02:45,982
|
||||
Có lẽ rồi sẽ có một ngày, chúng ta đều phải trở về với cát bụi
|
||||
|
||||
28
|
||||
00:02:46,471 --> 00:02:50,803
|
||||
Quay trở về với hồng trần
|
||||
|
||||
@@ -0,0 +1,112 @@
|
||||
1
|
||||
00:00:03,655 --> 00:00:09,493
|
||||
旧时，本仙常因机关术与归终争吵
|
||||
|
||||
2
|
||||
00:00:09,559 --> 00:00:12,761
|
||||
我俩各执一词，互不相让
|
||||
|
||||
3
|
||||
00:00:13,325 --> 00:00:18,156
|
||||
本仙曾以聚会为由，邀请最为公正的岩王帝君
|
||||
|
||||
4
|
||||
00:00:18,156 --> 00:00:20,845
|
||||
一评两种机关的高下
|
||||
|
||||
5
|
||||
00:00:21,568 --> 00:00:27,943
|
||||
帝君却说，归终的「翳狐机关」要略胜于我，哼
|
||||
|
||||
6
|
||||
00:00:28,912 --> 00:00:33,503
|
||||
虽然难以启齿，但本仙心里清楚
|
||||
|
||||
7
|
||||
00:00:33,503 --> 00:00:37,994
|
||||
归终在机关术方面确实高我一筹
|
||||
|
||||
8
|
||||
00:00:38,621 --> 00:00:44,720
|
||||
至于归终和歌尘浪市真君的故事，则要从一个铃铛说起
|
||||
|
||||
9
|
||||
00:00:45,443 --> 00:00:51,187
|
||||
归终认为，机关术虽不能完全替代人力谱曲
|
||||
|
||||
10
|
||||
00:00:51,187 --> 00:00:55,420
|
||||
其成品却足以比拟简单创作
|
||||
|
||||
11
|
||||
00:00:56,071 --> 00:01:00,853
|
||||
歌尘浪市则认为，音乐是灵魂之响
|
||||
|
||||
12
|
||||
00:01:01,131 --> 00:01:06,328
|
||||
是有感而发之物，绝无可能由机关自发生成
|
||||
|
||||
13
|
||||
00:01:07,184 --> 00:01:11,968
|
||||
二人争执不休，我只得请帝君出面
|
||||
|
||||
14
|
||||
00:01:11,968 --> 00:01:16,143
|
||||
他收走铃铛，用于操办各项典仪
|
||||
|
||||
15
|
||||
00:01:17,012 --> 00:01:21,540
|
||||
自那以后，我见她们常到山中聚会
|
||||
|
||||
16
|
||||
00:01:21,637 --> 00:01:26,771
|
||||
探讨雅乐、机关术与人间种种
|
||||
|
||||
17
|
||||
00:01:29,584 --> 00:01:37,536
|
||||
但好景不长。后来，魔神交战，归离原战火迭起
|
||||
|
||||
18
|
||||
00:01:37,828 --> 00:01:42,259
|
||||
归终不敌来者，于战中仙逝
|
||||
|
||||
19
|
||||
00:01:42,403 --> 00:01:50,865
|
||||
等本仙与歌尘赶至，残垣中…唯余故友神骸
|
||||
|
||||
20
|
||||
00:01:51,090 --> 00:01:54,844
|
||||
此后，应歌尘浪市要求
|
||||
|
||||
21
|
||||
00:01:54,906 --> 00:01:59,136
|
||||
岩王帝君将涤尘铃转交她保管
|
||||
|
||||
22
|
||||
00:02:00,815 --> 00:02:07,435
|
||||
本仙也遵循着故友之念，对她那「归终机」略作迭进，以此怀缅
|
||||
|
||||
23
|
||||
00:02:09,800 --> 00:02:15,550
|
||||
霄灯几番起落，人聚人散
|
||||
|
||||
24
|
||||
00:02:18,191 --> 00:02:22,577
|
||||
你在看什么？归离原吗？
|
||||
|
||||
25
|
||||
00:02:23,628 --> 00:02:27,847
|
||||
在看这片山水
|
||||
|
||||
26
|
||||
00:02:32,974 --> 00:02:42,243
|
||||
人死如灯灭，仙人亦然
|
||||
|
||||
27
|
||||
00:02:43,124 --> 00:02:45,982
|
||||
或许终有一日，我们都要尘埃落地
|
||||
|
||||
28
|
||||
00:02:46,471 --> 00:02:50,803
|
||||
回到红尘中去
|
||||
|
||||
@@ -0,0 +1,112 @@
|
||||
1
|
||||
00:00:03,655 --> 00:00:09,493
|
||||
舊時，本仙常因機關術與歸終爭吵
|
||||
|
||||
2
|
||||
00:00:09,559 --> 00:00:12,761
|
||||
我倆各執一詞，互不相讓
|
||||
|
||||
3
|
||||
00:00:13,325 --> 00:00:18,156
|
||||
本仙曾以聚會為由，邀請最為公正的岩王帝君
|
||||
|
||||
4
|
||||
00:00:18,156 --> 00:00:20,845
|
||||
一評兩種機關的高下
|
||||
|
||||
5
|
||||
00:00:21,568 --> 00:00:27,943
|
||||
帝君卻說，歸終的「翳狐機關」要略勝於我，哼
|
||||
|
||||
6
|
||||
00:00:28,912 --> 00:00:33,503
|
||||
雖然難以啟齒，但本仙心裡清楚
|
||||
|
||||
7
|
||||
00:00:33,503 --> 00:00:37,994
|
||||
歸終在機關術方面確實高我一籌
|
||||
|
||||
8
|
||||
00:00:38,621 --> 00:00:44,720
|
||||
至於歸終和歌塵浪市真君的故事，則要從一個鈴鐺說起
|
||||
|
||||
9
|
||||
00:00:45,443 --> 00:00:51,187
|
||||
歸終認為，機關術雖不能完全替代人力譜曲
|
||||
|
||||
10
|
||||
00:00:51,187 --> 00:00:55,420
|
||||
其成品卻足以比擬簡單創作
|
||||
|
||||
11
|
||||
00:00:56,071 --> 00:01:00,853
|
||||
歌塵浪市則認為，音樂是靈魂之響
|
||||
|
||||
12
|
||||
00:01:01,131 --> 00:01:06,328
|
||||
是有感而發之物，絕無可能由機關自發生成
|
||||
|
||||
13
|
||||
00:01:07,184 --> 00:01:11,968
|
||||
二人爭執不休，我只得請帝君出面
|
||||
|
||||
14
|
||||
00:01:11,968 --> 00:01:16,143
|
||||
他收走鈴鐺，用於操辦各項典儀
|
||||
|
||||
15
|
||||
00:01:17,012 --> 00:01:21,540
|
||||
自那以後，我見她們常到山中聚會
|
||||
|
||||
16
|
||||
00:01:21,637 --> 00:01:26,771
|
||||
探討雅樂、機關術與人間種種
|
||||
|
||||
17
|
||||
00:01:29,584 --> 00:01:37,536
|
||||
但好景不常。後來，魔神交戰，歸離原戰火迭起
|
||||
|
||||
18
|
||||
00:01:37,828 --> 00:01:42,259
|
||||
歸終不敵來者，於戰中仙逝
|
||||
|
||||
19
|
||||
00:01:42,403 --> 00:01:50,865
|
||||
等本仙與歌塵趕至，殘垣中…唯餘故友神骸
|
||||
|
||||
20
|
||||
00:01:51,090 --> 00:01:54,844
|
||||
此後，應歌塵浪市要求
|
||||
|
||||
21
|
||||
00:01:54,906 --> 00:01:59,136
|
||||
岩王帝君將滌塵鈴轉交她保管
|
||||
|
||||
22
|
||||
00:02:00,815 --> 00:02:07,435
|
||||
本仙也遵循著故友之念，對她那「歸終機」略作迭進，以此懷緬
|
||||
|
||||
23
|
||||
00:02:09,800 --> 00:02:15,550
|
||||
霄燈幾番起落，人聚人散
|
||||
|
||||
24
|
||||
00:02:18,191 --> 00:02:22,577
|
||||
妳在看什麼？歸離原嗎？
|
||||
|
||||
25
|
||||
00:02:23,628 --> 00:02:27,847
|
||||
在看這片山水
|
||||
|
||||
26
|
||||
00:02:32,974 --> 00:02:42,243
|
||||
人死如燈滅，仙人亦然
|
||||
|
||||
27
|
||||
00:02:43,124 --> 00:02:45,982
|
||||
或許終有一日，我們都要塵埃落地
|
||||
|
||||
28
|
||||
00:02:46,471 --> 00:02:50,803
|
||||
回到紅塵中去
|
||||
|
||||
@@ -0,0 +1,116 @@
|
||||
1
|
||||
00:00:04,125 --> 00:00:08,725
|
||||
仕掛けの術のことで、よく帰終と言い争ったものだった
|
||||
|
||||
2
|
||||
00:00:09,050 --> 00:00:12,550
|
||||
互いの言い分をどちらも譲らなかった
|
||||
|
||||
3
|
||||
00:00:13,700 --> 00:00:17,675
|
||||
妾はかつて二種のからくりを批評してもらうため
|
||||
|
||||
4
|
||||
00:00:17,725 --> 00:00:21,325
|
||||
最も公正なる岩王帝君を宴に招いた…
|
||||
|
||||
5
|
||||
00:00:21,600 --> 00:00:27,950
|
||||
なんと帝君は、帰終の「翳狐からくり」のほうがやや秀でると仰った。ふん…
|
||||
|
||||
6
|
||||
00:00:28,825 --> 00:00:33,375
|
||||
口にしたくはないが、妾は分かっておるのだ
|
||||
|
||||
7
|
||||
00:00:33,600 --> 00:00:39,000
|
||||
仕掛けの術において、帰終は確かに妾より一枚上手だった…
|
||||
|
||||
8
|
||||
00:00:39,475 --> 00:00:45,125
|
||||
帰終と歌塵の物語については、ある鈴のことから話さねばならぬ
|
||||
|
||||
9
|
||||
00:00:45,775 --> 00:00:49,850
|
||||
仕掛けの術が作曲家にとって代わることはなくとも
|
||||
|
||||
10
|
||||
00:00:49,875 --> 00:00:54,975
|
||||
その質はそこらの作品と変わらぬと帰終は考えていた
|
||||
|
||||
11
|
||||
00:00:55,700 --> 00:01:01,975
|
||||
対して歌塵は、音楽は魂の発する感情ありきの声だと言い…
|
||||
|
||||
12
|
||||
00:01:01,975 --> 00:01:05,925
|
||||
からくりが自発的に作りはしないと考えた
|
||||
|
||||
13
|
||||
00:01:06,875 --> 00:01:11,075
|
||||
二人があまりに争うから、帝君を呼ぶしかなかった
|
||||
|
||||
14
|
||||
00:01:11,575 --> 00:01:16,200
|
||||
やがて帝君は鈴を持っていき、様々な儀式に使った
|
||||
|
||||
15
|
||||
00:01:16,850 --> 00:01:20,175
|
||||
それから、あやつらはよく山に集い
|
||||
|
||||
16
|
||||
00:01:20,250 --> 00:01:26,475
|
||||
音楽や仕掛けの術、そして人間社会のあれこれを議論するようになった
|
||||
|
||||
17
|
||||
00:01:30,025 --> 00:01:33,600
|
||||
だがそんな光景も長くは続かなかった
|
||||
|
||||
18
|
||||
00:01:33,900 --> 00:01:38,475
|
||||
魔神戦争が起こり、帰離原も戦火に巻き込まれたのだ
|
||||
|
||||
19
|
||||
00:01:38,975 --> 00:01:42,725
|
||||
やがて帰終は敵に敗れ、戦場で散った
|
||||
|
||||
20
|
||||
00:01:43,600 --> 00:01:51,301
|
||||
妾や歌塵がついた時、廃墟に残されていたのは…旧友の神骸のみだった
|
||||
|
||||
21
|
||||
00:01:51,850 --> 00:01:54,725
|
||||
その後、歌塵の要望のもと
|
||||
|
||||
22
|
||||
00:01:55,075 --> 00:01:58,725
|
||||
岩王帝君は洗塵の鈴を彼女に持たせた
|
||||
|
||||
23
|
||||
00:02:00,575 --> 00:02:08,575
|
||||
妾も旧友の考えを継いで「帰終機」を少々改造し、思いを託したのだ…
|
||||
|
||||
24
|
||||
00:02:10,225 --> 00:02:15,675
|
||||
霄灯は飛んでは落ち…人もまた集まっては散りゆく
|
||||
|
||||
25
|
||||
00:02:18,425 --> 00:02:22,150
|
||||
何を見ている？帰離原か？
|
||||
|
||||
26
|
||||
00:02:23,675 --> 00:02:25,825
|
||||
この山水を見ている
|
||||
|
||||
27
|
||||
00:02:33,125 --> 00:02:38,650
|
||||
人が死ぬは灯が消えると同じ…仙人もまた然り
|
||||
|
||||
28
|
||||
00:02:39,500 --> 00:02:44,750
|
||||
いつの日か、我らもみな塵になって土に還り
|
||||
|
||||
29
|
||||
00:02:45,625 --> 00:02:48,650
|
||||
この世に還るのやもしれぬ
|
||||
|
||||
BIN
youtube/(2023.01.22) 【原神】ストーリームービー「心にとどまる余音」/【原神】ストーリームービー「心にとどまる余音」.jpg
(Stored with Git LFS)
Normal file
BIN
youtube/(2023.01.22) 【原神】ストーリームービー「心にとどまる余音」/【原神】ストーリームービー「心にとどまる余音」.jpg
(Stored with Git LFS)
Normal file
Binary file not shown.
BIN
youtube/(2023.01.22) 【原神】ストーリームービー「心にとどまる余音」/【原神】ストーリームービー「心にとどまる余音」.mkv
(Stored with Git LFS)
Normal file
BIN
youtube/(2023.01.22) 【原神】ストーリームービー「心にとどまる余音」/【原神】ストーリームービー「心にとどまる余音」.mkv
(Stored with Git LFS)
Normal file
Binary file not shown.
Reference in New Issue
Block a user